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I feel like we finally translated that feeling and groove to record.”Įqually important to the process was producer Eddie Spear, who, Nichols says, “is a one-in-a-million, rare-breed talent who pushed me out of my comfort zone. It’s the feel of a thousand shows in a thousand different venues. Dennis and I have a musical connection you just can’t fake. “We’ve toured the world together and seen a lot over the last decade,” he says, “and it’s an incredible feeling to be able to get to this point with a true rock ‘n’ roll brother. And it had to be that way in order to capture the excitement and the energy and the overall feeling of this music.”Įssential to capturing that vibe was drummer Dennis Holm, who Nichols has played with since 2011. And I think we finally captured that on this record, mostly due to the fact that we didn’t constrain ourselves to anything – we just went in and played in the most organic, natural way we could. “I would say it took three years of touring, three years of totally road-dogging it and sleeping in a damn van and playing shows every night to figure out what was at the core of what I was trying to say not only onstage, but also as a songwriter and as an artist. “Before this, I don’t know if I ever felt completely comfortable in the studio,” Nichols admits. And indeed, for Shadow Dancer he and his trio brought the onstage JJN experience straight into the studio, laying down the tracks, guitar solos included, live and loud (how loud? “dude, it was so loud,” he affirms), and capturing, as he puts it, lightning in a bottle. Anyone who has experienced Jared in the flesh knows that the man – and his music – is a whirlwind of unbridled emotion and energy.
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The answer, as is usually the case with Nichols, is pretty far. It was so cool to spread my wings and say, ‘How far can I take this before the train goes off the rails?’ ” Whatever’s going to come out is going to come out.’ “For the first time in my life I said, ‘I’m going to write with no filter – I don’t care if it’s blues, if it’s rock, if it’s this or if it’s that. “I’m going to a lot of places I’ve never gone before,” Nichols acknowledges about the new EP.
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From the anthemic and hooky lead single, “Skin N’ Bone” to the roiling and turbulent “Saint or Fool,” the full-throttle aggro-chug of “Bad Roots” to the dark atmospherics and deep grooves of the title track, Shadow Dancer sees Nichols digging deep to conjure a set of songs infused with his characteristic passionate vocals and wild guitar pyrotechnics (throughout, Old Glory acts as a second voice, singing and screaming, moaning and wailing right alongside him) while also fearlessly pushing out on his blues-rock boundaries. Now, after issuing the much-acclaimed 2020 single “Threw Me to the Wolves,” which showed him stepping outside his core sound with a tightly-coiled slow-burner, Nichols is back with his most heated and varied offering yet, the four-song Shadow Dancer EP. Argue all you want over the finer details of this sadly misguided statement, but one thing is for sure – these unfortunate souls have never laid ears or eyes on Jared James Nichols.Īrmed with one guitar – his battered-and-bruised, heavily-customized Gibson Les Paul, a k a “Old Glory” – a gritty, soul-stirring voice and an unshakable spirit, Nichols has come roaring out of Waukesha, Wisconsin (the hometown, coincidentally – or perhaps not – of the actual Les Paul) to resurrect and reaffirm the power and glory of good ol’ hot-wired, high-stakes blues-drenched rock ‘n’ roll… and also whip up a few new sounds and sensations in the process.Īnd while he may be just in the beginning stages of his career, Nichols has already picked up plenty of rabid acolytes along the way, whether they’ve turned on and tuned in to his electrifying riff-‘n’-roll from records like his 2015 debut, Old Glory & the Wild Revival or the 2018 follow up Black Magic, at one of his own incendiary solo gigs, or from catching him onstage with giants like Slash, Billy Gibbons, Zakk Wylde and the late, great Leslie West, among many others. We’ve all heard it, read it, maybe even know someone who’s said it: Rock is dead.